Welcome to my home page. I live in New York, NY and Oak Bluffs, MA;
I'm married to Julie; I'm dad to Hazel. I work as a programmer; I have a
dog, and she has a web site too.
1. Hillary & McCain are falling over themselves to say it shows that
Obama is an elitist. Really? The two filthy-rich candidates,
whose campaigns have literally been run by Washington corporate
lobbyists, think the other guy is an elitist. The half-black dude
from Hawaii, raised by a single mom, who spent his time prior to
politics organizing job training programs, and didn't finish paying
off his student loans until after the age of 40. That guy's an
elitist.
2. Are any of these looked-down-upon voters actually offended? I'm
sure some patch of
astroturf will
complain loudly, but to me, it's pretty cool that a candidate
actually wants to confront the causes of people's bitterness,
instead of distracting them with a bunch of bull, as per usual.
3. Is anybody else appalled that Hillary's taking up the Republican
talking point here? McCain I understand, it's still totally
ridiculous, but expected. But Hillary? Sheesh.
Anyway, unlike the Wright hoo-hah, this one seems like it could be a
political net win for Obama once people are done processing it.
Here's Obama's spin on it:
(* No, I don't really wear birkenstocks or sip lattes, and
I've been known to bowl.)
What does MP3 compression sound like? Kind of a stupid question
considering that many of us listen to it all the time. But it does
have an answer, sort of.
While I was uploading Sinkhole, I tried an experiment. I compressed
the albums at 256kbps which, for me, is basically indistinguishable
from the original. I took one song's mp3 and loaded it into Audacity
(a nice free audio editor). I took the same song's original .wav file
and loaded it into a second track in Audacity, parallel to the first.
Then I inverted one of the tracks (i.e. reversed the polarity). Then
I zoomed way in so I could see individual samples, and found an
obvious peak in the audio (a bass drum hit). I slid one of the tracks
slightly in time so that the extreme value of the peak was at the
exactly same time in both tracks.
Then I played both tracks together. If MP3 were lossless, in theory I
would hear nothing -- the two sounds should perfectly cancel each
other out, leaving silence.
In practice, MP3 is lossy, and so I heard "what MP3 sounds like".
Huh? Yes -- you can think of an MP3 as just the original signal with
some junk added. I was listening to the junk.
In other words:
Let A = original audio signal
mp3(x) is the signal x compressed and the decompressed by mp3.
So:
mp3(A) = A + someJunk (MP3 is just regular audio with some junk added)
someJunk = mp3(A) - A (I isolated the junk)
it contains a snippet of the original so you can hear what it sounds
like, followed by someJunk.
To me, it sounds like music blasting extremely loud, and I'm next to
some newspaper wrapped around a coffee can full of old screws and
nails. The newspaper and stuff rattle in time to the music, but the
music is so loud I can't hear the rattling at all unless the music
stops suddenly.
OR
Think of MP3 as the original signal with some stuff subtracted. The
stuff that's left out is -someJunk.
My old band, Sinkhole, just
released two of our albums under the Creative Commons
Attribution 3.0 license. This pretty much means you can do
whatever you want with them, including use songs as background for
your intermediate falconry tips video, but more to the point, download
and listen to.
These two albums are the ones on Ringing Ear
Records, the label that we (mostly Jon) ran. We also released two
albums on Doctor Strange Records.
We're checking with the Doc to see how he feels about us putting those
online also. No promises.